Monday, April 17, 2017

Dragged into Turbolasers Episode 20: Our Kharadron Overlords and how to Mind the Gap


In this episode we discuss the new Kharadron Overlord model line for Age of Sigmar, paying special attention to the awkward proportions present on the models (particularly the wide thigh gap present on all of them). We end the episode talking about Forge World’s latest Primarch model, Magnus the Red.

Friday, March 31, 2017

Dragged into Turbolasers Episode 19: Is Shadow War Games Workshop’s Inquisimunda?

Necromunda is back!?

This episode is focused around Games Workshop’s new Shadow War: Armageddon boxed game. We talk about our pleasant surprise at the game using the Necromuda ruleset, expanded to include other Warhammer 40k armies and weapons, rather than the gangs from the hive world of Necromunda. We discuss how this will affect 40k as a whole and how it might influence the Inqisimunda and Inq28 community.

Thursday, March 30, 2017

Making a two part mold: Casting resin models

I venture into creating silicone molds...

Having spent the better part of two months working on sculpting a true-scale Space Marine, it became clear that I could not continue to resculpt power armor each time that I wanted to make a new true-scale marine. I decided that the surest solution would be to make a rubber mold to cast additional copies of the armor. Although the process of making a silicone mold and using it to create resin casts is relatively straightforward, it was something that I had absolutely no knowledge about, so I was quite apprehensive about it all. After watching a YouTube video or two about the process, I decided I would give it a go, and ordered a starter kit from Smooth-On. Now that I have made my first mold, I wanted to share some of the things that I learned from the experience to hopefully encourage others to start creating molds to cast custom-made or sculpted components.

Tuesday, March 21, 2017

AoS28: Exploring a crystal world


“There is an immense reward to be found in that frozen forest... the gift of immortality a direct consequence of the surrender by each of us of our own physical and temporal identities. However apostate we may be in this world, there perforce we become apostles of the prismatic sun."

The Crystal World (1966), J.G. Ballard


In some forgotten grottos and neglected glades of the Mortal Realms, a singular transformation is coming over all organic matter. Living or dead, all blossoming into vitreous spurs of crystal. An inexhaustible tide, physically and psychologically. White static on periphery of conscious thought, beckoning all to return to face absolution. A new horror to add to the many that plague the Mortal Realms. But perhaps the capacity for it has been present all along, since the World’s molten core was placed within the firmament, some antediluvian certainty finally coalescing into being?

Wednesday, March 8, 2017

Female representation in wargaming

When properly armored, you should not be able to tell whether a model is male or female.

Our post about sexism in Kingdom Death prompted a reasonable amount of discussion, and made us realize that there was more that could be said about how women are represented in miniature gaming. When seeing a game which objectifies women as much as Kingdom Death does, it is easy to look at other games which don’t portray women as egregiously, and give them a pass. In reality, all of the popular miniature companies today have issues with female representation.

Tuesday, March 7, 2017

Dragged into Turbolasers Episode 18: The Dark Age of Sigmar

The Dark Age of Sigmar.

We begin this episode by talking about the new Age of Sigmar releases, focusing on some of David Waeselynck’s work, the Vanguard-Palladors and the new Slambo. We also discuss the recently released Warhammer Quest game, Shadows over Hammerhal. We then transition into describing how Jake from Ex Profundis started a movement to bring the narrative style of Inq28 to Age of Sigmar, creating AoS28. The Age of Sigmar setting is a veritable blank slate upon which you can explore virtually any creative impulse, without feeling beholden to droves of background knowledge. This has encouraged us to start building a warband of warriors afflicted by an odd crystallizing disease, inspired by the J.G. Ballard novel The Crystal World.

Monday, February 27, 2017

Building a True-scale Space Marine Redux

By the manner of their death we shall know them.

Space Marine anatomy is an odd thing, something that I think is often ignored due to it being behind armor. And while the plastic Space Marine models will always have a place in my heart, they have a lot of problems (leg attachment is ridiculous; they have essentially only a ribcage attached to their hips; arms are attached too high for them to attach to the scapula). The artwork of Kopinski and Dainton were some of the first examples I saw of someone eschewing these things to create something more believable. Having said this, that does not make their artwork perfect, with even the artists themselves shifting style and proportion between different pieces of artwork. The classic Crimson Fist marine Kopkinski drew is a good example, as in much of his later work (like the cover of the Uriel Ventris novel The Killing Ground) he increased the head size such that a humanoid figure could conceivably fit inside the armor. I tried my hand at creating a more anatomically reasonable Space Marine earlier this year in a collaborative progect with Mig’s from Iron Sleet, and was quite pleased with the result. No project is ever perfect, so when I started to consider creating a second Space Marine for FPOA’s Green Mechanicvm, I began thinking of what I would do differently. In this post I wanted to share some pictures of the current status of this Elder One, and talk a little about the challenges in its creation, something that I think is particularly relevant with the recent pictures of the upcoming plastic Roboute Guilliman (who is an anatomical mess).